John Cassavetes	...	(Director)
John Cassavetes	...	(Writer)
Ben Gazzara	...	Harry
Peter Falk	...	Archie Black
John Cassavetes	...	Gus Demetri
Jenny Runacre	...	Mary Tynan
Jenny Lee Wright	...	Pearl Billingham
Noelle Kao	...	Julie
John Kullers	...	Red
Meta Shaw Stevens	...	Annie
Leola Harlow	...	Leola
Delores Delmar	...	The Countess
Eleanor Zee	...	Mrs. Hines
Claire Malis	...	Stuart's Wife
Peggy Lashbrook	...	Diana Mallabee
Eleanor Cody Gould	...	'Normandy' Singer
Sarah Felcher	...	Sarah
Bill Britten	...	(as Bill Britton)
Arthur Clark	...	Gwen - "Jeanie" Singer
Gwen Van Dam	...	Gwen - "Jeanie" Singer
John Armstrong	...	'Happy Birthday' Singer
Charles Gaines	...	(as Chas. Gaines)
Antoinette Kray	...	"Jesus Loves Me" Singer
Lorraine MacMartin	...	Annie's Mother
Carinthia West	...	Susanna
Edgar Franken	...	Ed Weintraub
Joseph Boley	...	Minister
Judith Lowry	...	Stuart's Grandmother
Joseph Hardy	...	Shanghai Lil
Fred Draper	...
David Rowlands	...	Stuart Jackson
Nick Cassavetes	...	Nick
Xan Cassavetes	...	Xan
Robert Dahdah	...	Crowd
Harry Fielder	...	Hippy at Roundhouse
Rick Lester	...	Man on train
Anne O'Donnell	...	Nurse
Timothy Ousey	...	Kid
Rhonda Parker	...	Margaret
K.C. Townsend	...	Barmaid
Gena Wheeler	...	Nurse
Victor J. Kemper	...	Cinematographer

Tags: written and directed by cast member, peter pan complex, midlife crisis, basketball game, chinese woman

Summary: BLU-RAY SPECIAL EDITION FEATURES

New 4K digital restoration, with uncompressed monaural soundtrack
Audio commentary from 2009 featuring critic Marshall Fine
New interviews with producer Al Ruban and actor Jenny Runacre
New video essay featuring audio recordings of actor-director John Cassavetes discussing his approach to working with actors
The Story of “Husbands”— A Tribute to John Cassavetes (2009), a half-hour program featuring Ruban, actor Ben Gazzara, and cinematographer Victor J. Kemper
Episode of The Dick Cavett Show from 1970 featuring Cassavetes, Gazzara, and actor Peter Falk
Trailer
English subtitles for the deaf and hard of hearing
PLUS: An essay by filmmaker Andrew Bujalski